My Augmented Sibyl - Divination Mania
In-situ experience and digital oracles of
virtual representations
"The god
to whom the Delphic oracle is dedicated does not speak nor hide, he sends
signs."
Heraclitus, B 93
TUTORS: José Luis Carles, Environmental
Ecological Scientist, Composer, Professor at department of Music at University
Autonomy of Madrid
Cristina Palmese, Architect, Director of Paisajesensorial
Spyros Papadopoulos, Architect,
Professor of Architecture at University of Thessaly, Greece
Helena
Mantzari, Linguist
Magdalini Grigoriadou, Architect
Maria Loukou, Artist
Avrokomi Zavitsanou, Architect
DATES: Saturday,
July 14 until Sunday July 22, 2018. Amfissa, Greece.
DURATION:
10.00 AM-18.00 PM
Number of
participants: up to 20
Registration
deadline: June 15, 2018
A certificate of attendance will be given
Description
The workshop
proposes the metamorphosis of the in-situ experiences into oneiric future
visions. Through observation and collective gathering, the fragmented
micro-scenes will predict the future in multiple means:
·
through
music, electroacoustic, soundscapes…
·
through
choreography, audiovisual…
·
through
manipulated images or collage/montages…
·
through
augmented digital objects; or even augmented presences…
Upon the
corporeal experience, a dynamic interface in between sensing and creating, we
aim to explore multiple possibilities in the interaction of the body with the
space-time. Taking as primary input “situationist” routes and exploration of
urban, rural and archaeological spaces of Amfissa, as inspiration and analysis,
the participants will map new diverse routes of narration and will detect
space-times of interest. These geo-localized points will operate like doors
towards augmented ecstatic sites, to future visions.
The strategies
of the development of the project are:
·
Experimentation with augmented and digital tools, either as
communication strategy either as creative design means.
·
Analysis of the space-time of Amfissa, recognizing emblematic sites such
as the café where movies of Angelopoulos were filmed. Delineation of the
connexion between everyday spaces and sounds and their cultural
representations.
·
Rise of art narratives upon the idea of movie story telling as a poetic
collective construction.
·
Awareness of the suitability of prophecies: augmented reality regarded
as a mirror of our desires, fears and more
·
New innovative languages of art; from sound, audiovisual, images to
digital modelling and augmented reality
Statement
The divination
mania, experienced by all Sibyls, is the god-sent inspiration, a partly
revelation of the future worlds. The word “mania”, “ecstasy”, especially in the
way Plato and Plutarch use it, is interpreted as a highly emotional state,
which includes all the types of transportation, enthusiasm and inspiration
(Fontenrose, p. 212). The greatest good is being transmuted through ecstasy,
says Socrates to Phaedrus, provided it is coming from the gods. He calls “ecstatic”
the higher art which foresees the future. (Plato,244a-245c).
According to
one version of the myth, the god Apollo became master of the Delphic Oracle
when he killed Python, the son of Gaia, who was the guardian of the sanctum.
There Pythia, seated on the high tripod over the chasm, taken over by “an
enthusiastic spirit” according to Strabo (Geographica, 9-3-5) conveys the words
of the god to the mortals. Like Pythia, Sibyls were all women that believed to
be oracles, prophesying at holy sites, inspirited by the divine ecstasy from a
chthonic deity. Heraclitus, the first known to mention these feminine figures,
described them as creatures that were living thousand years (Heraclitus,
fragment 92), possibly related to very much earlier mystic entities in
the Near East. (Burkert, p.116)
Thus, Sibyls,
these ecstatic creatures have been transmuted throughout the human history,
being present at all times and spaces, from Babylonia to Renaissance and even
appear in Shakespeare theatrical plays. Poetry, inspiration, enthusiasm, and
sacred madness… the signs are thus revealed. All oracles are notoriously open
to any interpretation and narration. The burden of the interpretation falls on
the subject, the self, called upon to become considerate as beckons one of the
Delphic commandments (Know thyself).
Bibliographic notes:
Burkert
Walter, (1985), Greek Religion, Harvard
University Press
Heraclitus. On
Nature, B Fragments, 92, 93
Fontenrose, J.
(1978) The Delphic Oracle, University of California Press, USA
Plato
Phaedrus, 244a-245c
Strabo.
Geographica, Book Θ. 3.5.
Workshop structure
The workshop
is designed to prepare ecstatic experiences to participants and audience; we
want to convert everyone to an augmented Sibyl; a contemporary oracle receiving
future visions of humankind. The main objective is to create a magical, unreal,
oneiric experience for all audience, a transmutation of the divine, a revelation
of the deity through our own experience. Within the framework of this ecstatic
research, which concerns the modern spatial representations, the qualities are deriving from the relationship among
architecture, audio-visual language and digital technology, as means to enclose
a holo-esthetic augmented experience.
The workshop
explores the spatial-temporal connection between ancient and modern
storytelling aiming at a re-composition and search of the forms of the meta-human
body, either in post-human or trans-human visions, within the ambiguous meaning
of an oracle. The narrative represents a powerful expressive tool, shaped in a
non-lineal way. The free association of these fragmented narrative scenes,
previous prepared in the workshop, offer to the audience an each-time unique
experience of gathering the revealed future. Based on the random sequence of experiencing
the divine future images, everyone can prophesize the future as a contemporary
Sibyl. Any ecstatic experience is unique, unrepeatable and personalized as the
interpretation depends of the subject, body, state on mind and more.
Perceiving
space-time as the narrating body, the participants are called to interact with
it through a parallelism: on the one hand the abstract approach of Sibyl´s future
worlds and on the other the interpretation of the spatial impression of an
oracle which is accomplished through the digital representations.
Through this
experimental mapping of the space-time-body, a digital
work-impression-interpretation of the oracle is produced and one of the modern
version of the “divination mania”, or a “augmented Sibyl” as a memory of the
past, understanding of the present and prediction of the future.
Timetable (10.00-18.00h)
Saturday 14th July
- Reception (18.00h)
Sunday 15th July
- Presentation of the workshop (17.00h)
- Walk in the city (18.00h)
Monday 16th July
- Augmented Reality and Post Cinematic Strategies
- Constructing the primary narrative
Tuesday 17th July
- Space and Sound, Ecologies of the Space
- Random routes- space narrative
Wednesday 18th July
- Producing oneiric atmosphere, mythological
prophesies
- Ecstatic corporeal experiences through dance,
meditation
Thursday 19th July- Saturday 21st
July
- Working on Augmented Sibyl
Sunday 22nd July
- Open experiences to the audiences (20.00h)
General info
It is
addressed to:
Students of
Architecture (3rd-5th year), post-graduate students, students
of music, sound, audiovisual, dance etc., and artists under multidisciplinary
profile. Participants will be selected according to their CV/portfolio.
Accommodation
and costs:
The workshop
will take place at Amfissa, Greece. Registration in the workshop, accommodation
and subsistence allowance, as well as the attendance of the events, activities
and lectures of ANIMART costs 200 Euros. More details in https://animartgreece.eu/2018/en/information/
Participation
– Application:
The
participation application (brief CV,150 words) and a sample of projects (two A4
pages, pdf file) must be sent to the following address: lecad@arch.uth.gr or cristinapalmese@telefonica.net before June 15,
2018
Organized by
·
Laboratory of Environmental Communication and Audiovisual
Representation (LECAD)/ Department of Architecture, University of Thessaly,
·
Universidad Autónoma de Madrid, UAM, Department of Music
in
collaboration with ANIMART.